10 Steps to Glamour Modeling Photography Sydney
For the director involved in glamour model photography, arms pose no problems...if he remembers the following points:
1. All final instruction
must come from you, the director, who can see what the camera is doing to the
arms.
2. Keep the model's arms
and hands from reaching toward or away from the camera
to any great degree.
3. Tapered positions of
the hand add length to the arm and bold positions shorten it.
4. Both arms do not have
to show in every picture. In fact, in most positions, placing one arm behind
the body often gives clean delineation to the body's outline. But if the
forearm does not show, it is best not to let the hand pop out of the outline
unexpectedly. It is quite distracting to a viewer to see a hand appearing from
nowhere at the waistline or to notice a strange bump in a pocket.
5. Sharp angles at the
elbow can be softened, if desired, by moving the elbow slightly toward or away
from the camera and a right angle (from the camera's viewpoint) can be made
obtuse by the same action.
6. An arm can always be
made to appear more slender by diverting the wide inner elbow and flat forearm
away from the camera. There is a popular misconception that the full width of
the elbow cannot be turned away from the camera without turning the hand also.
Nevertheless, it is possible and most models can do it naturally or with a
little practice ... whether the hand is supporting the body or not.
7. Keep the elbow away
from the waistline. If the arms must cross a standing figure, they should do so
above or below the waist line. An elbow at the waistline makes the body appear
thick, heavy and masculine unless an air space or contrast of tone prevents the
arms from attaching themselves to the silhouette and adding weight and bulk to
the outline.
8. Soft flesh is
distorted by pressure. When the soft part of the arm presses into a harder
surface it may lose its smooth outline. Pressure can be eased by leaning
lightly, or when possible, carrying most of the weight on the hard parts of the
arm such as the shoulder bone, elbow, wrist or hand.
9. An arm supporting the
weight of the body should not reveal too much rigidity or tension. Strain can
be eased by better weight distribution or a momentary shift to ease it just
before the picture is taken.
10. When thought is put
into the proper location of the elbow, no additional adjustment of the upper
arm is necessary. Also, with the capricious forearm secure at one end, all
creative effort can be concentrated on the location of the other end of the
forearm and the position of the hand.
When involved in glamour
Modeling Photography Sydney have you
ever had the perfect picture -except that the arms didn't look like mates? One
was too thick while the other was too thin? Did you ever have a hand look like
a stump? If you did, distortion and foreshortening are not new to you. You know
the havoc they can play with important pictures. But HOW can you communicate
this to your model without going into complicated or technical detail?
It's simple if we take a
tip from stage directors and chalk guide lines right on the floor. Make two
lines parallel to each other and at right angles to your lens. Place your model
between them and explain that she is standing between two imaginary large panes
of glass that have been set upon those lines.
Glamour model
photography can be very satisfying and rewarding work. Work with your model and
you will be rewarded with great pictures!
Chris Huzzard Studios is a studio providing
best photographic studio in Perth, Australia that have a great facilities,
confidential, quality services. They are based in Perth [http://chrishuzzardstudios.com/],
where you will find a huge stock of variety of studios. If you are interested
in a full on photography project like Model Portfolio Photography Sydney, Professional Fashion Photographers Sydney or any host industry
events, it provides you the best possible solution. Do contact at +61 415 388
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